Smart Machines & Factories
Cobots challenge public perception of robotics in V&A Live Art Installation
Published:  20 October, 2017

As part of the London Design Festival and Digital Design Weekend at the Victoria & Albert Museum, a live art installation entitled Slave/Master, which challenged the dystopian view that the public have of robots was on display.

It explored the edges of industrial robot/human interaction robot performers, human dancers and projected graphics. The installation used some of the most current industrial robotics and automation technologies from companies including Adelphi Automation, KUKA Robotics, Rockwell Automation, SCM Handling and Autodesk.

The installed robots performed choreographed dance moves and were regularly ‘interfered’ with by human dancers from the London Contemporary Ballet Theatre, to a haunting score composed by Rupert Cross. The project, conceived, directed and produced by the Brooke Roberts Innovation Agency (BRIA) on behalf of the V&A and supported by Arts Council England, challenged the traditional “fear” portrayed in sci-fi films of robots oppressing and interfering with humans, by turning it upside down to show how robots are safely mastered and managed in modern industrial applications.

Visitors were able to roam freely around the Slave/Master installation space throughout the exhibition, thanks in part to the use of Compact GuardLogix safety automation controllers and SafeZone Mini safety laser scanners from Rockwell Automation. Adelphi Automation, the systems integrators who delivered the robotics part of the installation, faced a number of challenges delivering the unique project and hoped that it showed the rapidly growing potential of industrial automation to a broader audience.

Paul Stout, managing director of Adelphi Automation explained:
“We were delighted to get involved with the BRIA project at the V&A, and to work with KUKA, Autodesk, SCM Handling and of course Rockwell Automation in delivering a unique concept that showcases modern robotics and automation to the public. We integrate more and more industrial applications that require deeper interaction between robots and humans and the challenges of this project are not unlike those in industry, albeit we don’t usually install robots for their dance moves. In all seriousness though, we believe Slave/Master will help the public to understand something other than the dystopian view of robots in popular culture, and show how modern safety systems and smart robotics mean that human interaction in the industrial space has moved on from caged robot arms moving large parts, to a much more collaborative approach.”